pericles

Athens in its Golden Age: The Time of Pericles

May 2-3, 2008
Herbst Theatre,  401 Van Ness Avenue,  San Francisco

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During the 5th Century BCE, citizens of the tiny city-state of Athens, despite political turmoil at home and constant threats from abroad, achieved levels of accomplishment in art, architecture, philosophy and theatre not previously recorded. They also established a working democracy. The influence of their achievements on the development of human civilization continues to this day.

Friday, May 2, 2008

Herbst Theatre,  401 Van Ness Avenue,  San Francisco

Moderator: Erich Gruen, Emeritus Professor of the Graduate School-Wood Professor, University of California Berkeley

Keynote Address  Democracy, Innovation, and Learning
Josiah Ober, Tsakopoulos-Kounalakis Professor in honor of Constantine Mitsotakis and Professor of Political Science and Classics, Stanford University

Beginning with the Funeral Oration of Pericles in Thucydides, in which Pericles gives what seems at first glance to be an almost absurdly idealistic portrait of the democracy and the democratic citizen, Professor Ober will discuss how the design of democratic institutions helped to make that ideal into a lived reality – and thus to make Athens into the startlingly wealthy, powerful, and culturally forward-looking community that it was.

Lecture/Performance  Staging the Past, Confronting the Present in Athenian Theater
Presented by Mark Griffith, Professor of Classics and of Theatre Dance and Performance Studies, UC Berkeley

The tragedies performed annually in the Theater of Dionysus (just below the Acropolis) were based on myths and characters of an earlier time — the era of the Trojan War and the Seven against Thebes. Playwrights adapted these stories so that they raised fresh issues of immediate and contemporary relevance to the Athenians sitting in the Theater: conflicts between family loyalty and political duty, the fragility of civilized values in the face of war and imperial conquest, and the psychological costs of the disenfranchisement and subordination of women. Since many of these issues are still with us, these plays continue to resonate with extraordinary power and immediacy among modern audiences. Professor Griffith will explore the exciting — and still troubling — dynamics of this unrivalled period of Western theater through illustrations of the original conditions and style of performance actually practiced in Periclean Athens, as well as with selected film-clips of scenes from modern productions of three of the most famous of these tragedies: The Oresteia, Antigone, and The Trojan Women.

Saturday, May 3, 2008

Herbst Theatre,  401 Van Ness Avenue,  San Francisco

Lecture  The Akropolis of Athens and its Impact
Margaret Miles, Professor of Art History, Classics, and Visual Studies, UC Irvine
In the whole sweep of western architectural history, surely the fifth century BCE stands out as the period upon which much else depends: when the buildings of the fifth century did not stand as exemplars, they were iconic of what was to be overturned or superseded. Although its roles have been shifting and various, and occasionally forgotten, the architecture of the fifth century still requires a response from current architects. Already by the time of the Roman Empire, the Parthenon and Erechtheum in Athens represented a long-past “golden age” and their styles were emulated in Rome as a hallmark of a new golden age. The refinements of architectural ornament and the sculptural decoration on the temples also inspired much later generations and set new standards in the early modern period. The Parthenon and its sculpture (even in its current location in the British Museum) continue as primary symbols of the achievements of Athens in the Periklean era.

Lecture  War Is the Father of All: The Politics of War, Empire, and Freedom in Democratic Athens
Kurt RaaflaubDavid Herlihy University Professor, Professor of Classics and History and Chair of Ancient Studies, Brown University

We think of fifth-century Athens as a “Golden Age” of greatness in culture and humanism, characterized by the Parthenon, Phidias’ sculptures, Sophocles’ tragedies, Aristophanes’ comedies, Herodotus’ Histories, and the emergence of Socrates’ philosophy. If we can trust the historian Thucydides, the contemporaries defined “greatness” by stunning victories in war, unprecedented imperial power, and unmatched liberty, all achieved by citizens uniquely committed, on the basis of a powerful civic ideology, to their community’s continuing military and political domination. Yet twenty-five years after Pericles’ death, starved and exhausted, Athens lost the Peloponnesian War and was almost destroyed. Professor Raaflaub will discuss the tensions and contradictions, so meaningful to our own time, inherent in Athens’ politics of war, empire, and freedom, their connection with democracy, and the reasons of Athens’ meteoric rise and fall in the fifth century BCE.

Performance  Pythagoras Discovers Philosophy
George Hammond, San Francisco attorney and author

The intellectual influence of Pythagoras on Periclean Athens, and on modern culture, is hard to exaggerate. Known to Humanities West audiences for his presentations on Mark Twain and Plato, this time George dramatizes Pythagoras’s return home to Greece in 550 B.C. after years of educational travel in Babylon and Egypt.

Lecture  Greece and Persia: A Clash of Cultures?

Erich Gruen, Emeritus Professor of the Graduate School – Wood Professor, UC Berkeley
The war between Greece and Persia in the early fifth century BCE has generally been interpreted as representing a mighty watershed in Hellenic history, a pivotal turning point in the self-perception of the Greeks by contrast with the great enemy. The outcome of the war (a Greek victory) provoked the “Orientalizing” of the Persian in Greek eyes, so it is said, a means to distinguish those who lived in freedom and democracy from the despised Iranians who lived contentedly under despotism, scorned liberty and preferred servility to rationality and self-determination. The lecture will explore the validity of this interpretation through two major 5th century texts, Aeschylus’ powerful play, “The Persians,” and Herodotus’ great history of the war itself.

Panel Discussion
Moderated by Erich Gruen

 

Presenters

Presenter Information Unavailable

Resource Materials

For those who would like a quick and painless overview of ancient Athens, the two-hour PBS documentary Athens: Dawn of Democracy is a good place to start. It is readily available from Amazon or Netflix. The well-known historian, Donald Kagan, has written the best modern biography of our central figure, Pericles of Athens and the Birth of Democracy (Free Press, 1998), available in paperback from Amazon. A more in-depth treatment of the history and culture of ancient Athens can be found in The World of Athens: An Introduction to Classical Athenian Culture, put together by the Joint Association of Classical Teachers. A new, heavily revised edition will be available on April 30, 2008 (just in time for our program), but the well-received 1984 edition is also available on Amazon at a greatly reduced price.

If you are interested in the enduring cultural legacy of ancient Greece, you might want to read the modern translation of Euripides’ three great war plays: James Morwood (translator), Euripides: The Trojan Women and Other Plays (Oxford World’s Classics. Oxford: Oxford University Press. 2001), or Charles H. Kahn’s short book about Pythagoras and the Pythagoreans: A Brief History(Indianapolis and Cambridge: Hackett. 2001). Another recent PBS show, Secrets of the Parthenon(Nova series), presents new discoveries about the building techniques used by the Greeks. It can also be ordered from Amazon, but will not be released for sale until April 29, 2008, just a few days before our program. If you are particularly interested in the architecture of the Acropolis, Jeffrey Hurwit’s The Acropolis in the Age of Pericles (Cambridge: Cambridge University Press. 2004) offers a richly illustrated history, including a CD-ROM with 180 color images.

> Extended Reading List

Aeschylus. The Oresteia . W.B. Stanford (ed.), Robert Fagles (transl.). Harmondsworth: Penguin. 1977.

Bastea, Eleni. The Creation of Modern Athens. Cambridge: Cambridge University Press. 2000.

Beard, Mary. The Parthenon. Cambridge, MA: Harvard University Press. 2003.

Boedeker. Deborah and Kurt Raaflaub (eds.). Democracy, Empire, and the Arts in Fifth-Century Athens. Cambridge, MA: Harvard University Press. 2003.

Camp, John. The Archaeology of Athens. New Haven, London: Yale University Press. 2001.

Flower, Michael. “Herodotus and Persia, ” in C. Dewald and J. Marincola (eds.), The  Cambridge Companion to Herodotus. Cambridge: Cambridge University Press.  2006. 274-289.

Griffith, Mark. “Slaves of Dionysos: Satyrs, Audience, and the Ends of the Oresteia. ” Classical Antiquity 22 (2002): 195-258.

________. “Brilliant Dynasts: Power and Politics in the Oresteia. ” Classical Antiquity  14.1 (1995): 62-129.

Griffith, Mark (ed.). Sophocles: Antigone. Cambridge: Cambridge University Press. 1999.

Gruen, Erich. “Persia through the Looking-Glass, ” in E. Gruen, Cultural Borrowings and Ethnic Appropriations in Antiquity. Stuttgart. 2005.

_________. Foreword, in F. Frost, Essays on Athenian History and Historiography. Cambellville, ON: Edgar Ken Publishers. 2005.

Hall, Edith. Inventing the Barbarian: Greek Self-Definition through Tragedy. Oxford:
Oxford University Press. 1989.

Hansen, Mogens H. The Athenian Democracy in the Age of Demosthenes. Norman:  University of Oklahoma Press. 1999.

Harrison, Thomas. The Emptiness of Asia: Aeschylus’ “Persians ” and the History of the Fifth Century. London: Duckworth. 2000.

McCann, David R., and Barry S. Strauss (eds.). War and Democracy: A Comparative Study of the Korean War and the Peloponnesian War. Armonk, NY: M. E. Sharpe. 2001.

Neils, Jennifer (ed.). The Parthenon, from Antiquity to the Present. Cambridge: Cambridge University Press. 2005.

Ober, Josiah. Athenian Legacies: Essays on the Politics of Going On Together. Princeton:  Princeton University Press. 2005.

_______. Political Dissent in Democratic Athens: Intellectual Critics of Popular Rule. Princeton: Princeton University Press. 1998.

Pelling, Christopher. “Aeschylus’ Persae and History, ” in C. Pelling, Greek Tragedy and the  Historian. Oxford, 1997: 1-19.

Raaflaub, Kurt A. The Discovery of Freedom in Ancient Greece. Chicago: University of  Chicago Press. 2004.

Raaflaub, Kurt A., Josiah Ober, Robert W. Wallace, Origins of Democracy in Ancient Greece (with chapters by Paul Cartledge and Cynthia Farrar.) Berkeley: University of California Press. 2007.

Riedweg, Christoph. Pythagoras: His Life, Teaching, and Influence. Ithaca: Cornell  University Press. 2005.

Samons, Loren J. II (ed.). The Cambridge Companion to the Age of Pericles. Cambridge:  Cambridge University Press. 2007.

Tuplin, C. “Greek Racism? Observations on the Character and Limits of Greek Ethnic  Prejudice, ” in G.R. Tsetskhladze, Ancient Greeks, West and East. Leiden: Brill
Academic Publishers, 1999: 47-75.

Warner, Rex (transl.). Thucydides, History of the Peloponnesian War. Harmondsworth: Penguin. 1954.

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April 22, 2008

Lecture  Athens in its Golden Age: The Time of Pericles 
Join George Hammond for a free one-hour preview lecture for Humanities West’s two-day lecture series Athens in its Golden Age: The Time of Pericles. The political leader and famous orator Pericles inspired the 5th century BCE Athenians to build the Parthenon, still exquisite even in ruin 2500 years later. Hammond will cut through the many myths about the Athenians’ democratic society to the very encouraging conclusion that their enduring contributions to our cultural wealth were created in the midst of political chaos.  The Athenians’ art, architecture, politicians and philosophers all play their part in this fascinating story.

Lecture Free
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April 24, 2008

Lecture  Aristophanes and the Eleusinian Mysteries: Religion, Drama, and Politics 
Professor Lois Spatz, PhD, a professor of Classics, Latin, Greek, and classical literature for 26 years, will discuss the Athenian democracy’s two unique annual festivals: The Eleusinian Mysteries with its public processions, rituals, and secret rites in honor of the grain goddess Demeter, and the dramatic festivals of tragedies, satyr plays, and comedies in honor of Dionysus. Both spectacles became synonymous with the power, culture, and ingenuity of Athens. In the Frogs, Aristophanes combines the myths of the two patron deities with the facts about drama in Athens to create a comic fantasy. As Dionysus goes down to Hades to bring back Euripides and returns instead with Aeschylus, Aristophanes examines both the state of the drama and the state of the democracy.

Lecture Free to Members of Mechanics’ Institute or Humanities West; Public $10.
Location: Mechanics’ Institute, 57 Post Street, San Francisco.